An installation view of Symmetry by Vera Fischer in the Sisak Steelworks Sculpture Park (2018)

• Symmetry

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Photos (left to right):

[1] Symmetry by Vera Fischer (1973), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

[2] Symmetry by Vera Fischer (1973), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Seagull's Wing by Milena Lah in the Sisak Steelworks Sculpture Park (2018)

• Seagull's Wing

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Seagull's Wing by Milena Lah (1973), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Object II by Josip Diminić in the Sisak Steelworks Sculpture Park (2018)

• Object II

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Photos (left to right):

[1] Object II by Josip Diminić (1979), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

[2] Object II by Josip Diminić (1979), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

[3] Object II by Josip Diminić (1979), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Work Process by Sašo (Nedeljko) Stevović in the Sisak Steelworks Sculpture Park (2018).

• The Work Process

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Photos (left to right):

[1] Work Process by Sašo (Nedeljko) Stevović (1975), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

[2] Work Process by Sašo (Nedeljko) Stevović (1975), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Sculpture V by Milivoje Babović in the Sisak Steelworks Sculpture Park (2018)

• Sculpture V

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Photos (left to right):

[1] Sculpture V by Milivoje Babović (1981), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

[2] Sculpture V by Milivoje Babović (1981), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Object I by Josip Diminić in the Sisak Steelworks Sculpture Park (2018)

• Object I

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Object I by Josip Diminić (1979), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Form by Milena Lah in the Sisak Steelworks Sculpture Park (2018)

• Form

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Form by Milena Lah (1973), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of In Memory of George of Dalmatia in the Sisak Steelworks Sculpture Park (2018)

• In Memory of George of Dalmatia

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

In Memory of George of Dalmatia by Jure Žaja (1979), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Our Life by Theo Amrein Kujundžić in the Sisak Steelworks Sculpture Park (2018)

• Our Life

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Our Life by Theo Amrein Kujundžić (1977), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Riderless by Peruško Bogdanić in the Sisak Steelworks Sculpture Park (2018)

• Riderless

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Photos (left to right):

[1] Riderless by Peruško Bogdanić (1983), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

[2] Riderless by Peruško Bogdanić (1983), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

Archival color photograph showing the sculpture Seagull’s Wing by Milena Lah

• Seagull's Wing

• Unknown

• Unknown

Artist Milena Lah with her 1973 sculpture Seagull’s Wing in Sisak (date and photographer unknown) [scan]. Personal archive of the artist. Courtesy of Igor Lah.

An installation view of Dark Visions I by Josip Zeman in the Sisak Steelworks Sculpture Park (2018)

• Dark Visions I

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Dark Visions I by Josip Zeman (1983), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Relief in Space by Dušan Subotić in the Sisak Steelworks Sculpture Park (2018)

• Relief in Space

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Relief in Space by Dušan Subotić (1981), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Flower by Vera Fischer in the Sisak Steelworks Sculpture Park (2018)

• Flower

• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Flower by Vera Fischer (1973), total. (Photo by Sagita Mirjam Sunara, 22 June 2019 © University of Split, The Arts Academy)

An installation view of Dark Visions II by Josip Zeman in the Sisak Steelworks Sculpture Park (2018)

• Dark Visions II

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Dark Visions II by Josip Zeman (1983), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Antipodes by Ivan Kožarić in the Sisak Steelworks Sculpture Park (2018)

• Antipodes

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Photos (left to right):

[1] Antipodes by Ivan Kožarić (1972), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

[2] Antipodes by Ivan Kožarić (1972), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of the sculpture by an unknown artist in the Sisak Steelworks Sculpture Park (2018)

• Title unknown

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

A sculpture by an unknown artist, total. Previously attributed to Nikola Njirić. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Puzzle Column by Erik Lovko in the Sisak Steelworks Sculpture Park (2018)

• Puzzle Column

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Puzzle Column by Erik Lovko (1978), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of the unfinished sculpture Man and Woman by Petar Barišić in the Sisak Steelworks Sculpture Park (2018)

• Man and Woman

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Unfinished sculpture Man and Woman by Petar Barišić (1979), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Rhythms II by Dubravka (Duba) Sambolec in the Sisak Steelworks Sculpture Park (2018)

• Rhythms II

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Photos (left to right):

[1] Rhythms II by Dubravka (Duba) Sambolec (1978), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

[2] Rhythms II by Dubravka (Duba) Sambolec (1978), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Random Form With a Thesis by Zlatko Zlatić in the Sisak Steelworks Sculpture Park (2018)

• Random Form With a Thesis

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Random Form With a Thesis by Zlatko Zlatić (1978), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Prayer Book by Slobodanka Stupar from the Sisak Steelworks Sculpture Park (2018)

• Prayer Book

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Prayer Book by Slobodanka Stupar (1987), total. (Photo by Boris Cvjetanović, 23 November 2018 © University of Split, The Arts Academy)

An installation view of Wall by Dora Kovačević in the Sisak Steelworks Sculpture Park (2018)

• Wall

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Wall by Dora Kovačević (1985), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

A view of the partially preserved sculpture City ’85 by Ante Kuduz in the Sisak Steelworks Sculpture Park (2018).

• City '85

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

City ’85 by Ante Kuduz (1985), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Door by Branko Ružić in the Sisak Steelworks Sculpture Park (2018)

• Door

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Door by Branko Ružić (1984), total. (Photo by Boris Cvjetanović, 28 October 2018 © University of Split, The Arts Academy)

An installation view of Form I by Hamo Čavrk in the Sisak Steelworks Sculpture Park (2018)

• Form I

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Form I by Hamo Čavrk (1982), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Orator by Ante Rašić in the Sisak Steelworks Sculpture Park (2018)

• Orator

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Orator by Ante Rašić (1984), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of High Voltage by Belizar Bahorić in the Sisak Steelworks Sculpture Park (2018)

• High Voltage

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

High Voltage by Belizar Bahorić (1982), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Zgurić and Family by Zlatko Zlatić in the Sisak Steelworks Sculpture Park (2018)

• Zgurić and Family

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Zgurić and Family by Zlatko Zlatić (1978), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Composition I and II by Boško Atanacković in the Sisak Steelworks Sculpture Park (2018)

• Composition I, Composition II

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Photos (left to right):

[1] Composition I and II by Boško Atanacković (1982), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

[2] Composition I and II by Boško Atanacković (1982), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Butterfly by Zvonimir Kamenar in the Sisak Steelworks Sculpture Park (2018)

• Butterfly

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Butterfly by Zvonimir Kamenar (1982), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Imaginary Machine by Zvonimir Kamenar in the Sisak Steelworks Sculpture Park (2018)

• Imaginary Machine

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Imaginary Machine by Zvonimir Kamenar (1982), total. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Man-Machine by Ratko Petrić in the Sisak Steelworks Sculpture Park (2018)

• Man-Machine

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Man-Machine by Ratko Petrić (1975), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

An installation view of Bull’s Head by Jure Žaja in the Sisak Steelworks Sculpture Park (2018)

• Bull's Head

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Bull’s Head by Jure Žaja (1982), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

Flower by Vera Fischer in temporary storage (2018).

• Flower

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Flower by Vera Fischer (1980), total. (Photo by Boris Cvjetanović, 23 November 2018 © University of Split, The Arts Academy)

An installation view of the sculpture by an unknown artist in the Sisak Steelworks Sculpture Park (2018)

• Bird

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Bird by an Ratko Petrić (1975), total. Previously attributed to Mila Kumbatović. (Photo by Boris Cvjetanović, 25 October 2018 © University of Split, The Arts Academy)

An installation view of Incandescent Planet by Ratko Petrić in the Sisak Steelworks Sculpture Park (2018)

• Incandescent Planet

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Incandescent Planet by Ratko Petrić (1975), total. (Photo by Boris Cvjetanović, 24 October 2018 © University of Split, The Arts Academy)

Ornament by Andre Mohorovičić in temporary storage (2018)

• Ornament

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Ornament by Andre Mohorovičić (1984), total. (Photo by Boris Cvjetanović, 23 November 2018 © University of Split, The Arts Academy)

Wayside Monument by Branislav Milašinović in temporary storage (2018)

• Wayside Monument

• Boris Cvjetanović

• University of Split, The Arts Academy
• Boris Cvjetanović

Wayside Monument by Branislav Milašinović (1984), total. (Photo by Boris Cvjetanović, 23 November 2018 © University of Split, The Arts Academy)

Photo-documentation of the conservation-restoration treatment carried out in 2014 on the sculpture Object II by Josip Diminić

• Object II

• Nives Mijić
• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Photos (left to right):

[1] Object II by Josip Diminić (1979), pre-treatment condition. (Photo by Sagita Mirjam Sunara, 26 September 2014 © University of Split, The Arts Academy)

[2] Object II by Josip Diminić (1979), pre-treatment condition. (Photo by Sagita Mirjam Sunara, 26 September 2014 © University of Split, The Arts Academy)

[3] Object II by Josip Diminić (1979), dismantling and moving of the sculpture. (Photo by Nives Mijić, 26 September 2014 © University of Split, The Arts Academy)

[4] Object II by Josip Diminić (1979), pre-treatment condition of the bottom of the sculpture. (Photo by Sagita Mirjam Sunara, 26 September 2014 © University of Split, The Arts Academy)

[5] Object II by Josip Diminić (1979), cutting out of the deteriorated and disintegrated parts. (Photo by Sagita Mirjam Sunara, 27 September 2014 © University of Split, The Arts Academy)

[6] Object II by Josip Diminić (1979), paint removal using carbon dioxide (CO2) blasting. (Photo by Sagita Mirjam Sunara, 27 September 2014 © University of Split, The Arts Academy)

[7] Object II by Josip Diminić (1979), reconstruction of the cut out parts. (Photo by Sagita Mirjam Sunara, 30 September 2014 © University of Split, The Arts Academy)

[8] Object II by Josip Diminić (1979), total after application of the base coat. (Photo by Sagita Mirjam Sunara, 1 October 2014 © University of Split, The Arts Academy)

[9] Object II by Josip Diminić (1979), dents in the metal surface. (Photo by Sagita Mirjam Sunara, 1 October 2014 © University of Split, The Arts Academy)

[10] Object II by Josip Diminić (1979), application of a two-component polyester putty to level out dents. (Photo by Sagita Mirjam Sunara, 1 October 2014 © University of Split, The Arts Academy)

[11] Object II by Josip Diminić (1979), application of a waterproofing coating on the underside of the bottom plate. (Photo by Sagita Mirjam Sunara, 3 October 2014 © University of Split, The Arts Academy)

[12] Object II by Josip Diminić (1979), reconstruction of the missing parts in epoxy resin and glassfibre cloth. (Photo by Sagita Mirjam Sunara, 2 October 2014 © University of Split, The Arts Academy)

[13] Object II by Josip Diminić (1979), application of the top coat. (Photo by Sagita Mirjam Sunara, 5 October 2014 © University of Split, The Arts Academy)

[14] Object II by Josip Diminić (1979), re-installation. (Photo by Sagita Mirjam Sunara, 23 October 2014 © University of Split, The Arts Academy)

[15] Object II by Josip Diminić (1979), application of the coating on the anchor bolts. (Photo by Neven Peko, 25 October 2014 © University of Split, The Arts Academy)

[16] Object II by Josip Diminić (1979), after re-installation. (Photo by Sagita Mirjam Sunara, 26 October 2014 © University of Split, The Arts Academy)

Report on the conservation-restoration treatment carried out in 2014 on the sculpture Object II by Josip Diminić

• Object II

• Sagita Mirjam Sunara

• Godišnjak zaštite spomenika kulture Hrvatske

Sunara, Sagita Mirjam. 2013−2014 [printed in 2015]. "Problematika restauriranja obojenih (metalnih) skulptura na otvorenom: slučaj skulpture Objekt II Josipa Diminića." Godišnjak zaštite spomenika kulture Republike Hrvatske, 37−38: 197−210.

Cross-sections of paint samples collected in 2013 from the sculpture Object II by Josip Diminić

• Object II

• Natalija Dolić
• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Photos (left to right):

[1] Object II by Josip Diminić (1979). The paper arrow indicates the location from which the paint sample 9-1 was taken. The sampling was performed by Ivica Ljubenkov. (Photo by Sagita Mirjam Sunara, 26 September 2013 © University of Split, The Arts Academy)

[2] Object II by Josip Diminić (1979), the cross-section of the paint sample 9-1, magnification x100. (Photo by Natalija Dolić, 1 September 2014 © University of Split, The Arts Academy)

[3] Object II by Josip Diminić (1979). The paper arrow indicates the location he location from which the paint sample 9-2 was taken. The sampling was performed by Ivica Ljubenkov. (Photo by Sagita Mirjam Sunara, 26 September 2013 © University of Split, The Arts Academy)

[4] Object II by Josip Diminić (1979), the cross-section of the paint sample 9-2, magnification x100. (Photo by Natalija Dolić, 1 September 2014 © University of Split, The Arts Academy)

Micro-Raman spectroscopy of paint samples collected in 2014 from the sculpture Object II by Josip Diminić

• Object II

• Dubravka Jembrih-Simbürger

• Institute of Science and Technology in Art, Vienna

Jembrih-Simbürger, Dubravka. 2015. "Outdoor sculpture Object II (1979) by Josip Diminić: micro-Raman analysis of 9 paint samples in the frame of UKF-project cooperation with Ruđer Bošković Institute, Zagreb." Unpublished report. Academy of Fine Arts Vienna, Institute of Science and Technology in Art.

Artist interview with Josip Diminić conducted in 2013

• Object I
• Object II

• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Diminić, Josip. (2013, September 21). Interview by Sagita Mirjam Sunara [Transcript]. University of Split, The Arts Academy, Conservation-Restoration Department.

An old newspaper article mentioning Josip Diminić's work in the Sisak Steelworks Artists Colony

• Object I
• Object II

• Vjesnik Željezare

• Vjesnik Željezare

Buinac, J. 1979. "Stvaranje i osmišljavanje u neposrednom." Vjesnik Željezare, 12 October, p. 14. (Newspaper courtesy of Đuro Tadić. Digitized by the University of Split Library.)

Comment: List of the steelworkers who assisted Josip Diminić in fabrication of the sculptures Object I and Object II. Diminić's review of the Sisak Steelworks Fine Artists Colony experience.

Catalogue of the final exhibition of the 1979 Sisak Steelworks Fine Artists Colony

• Object I
• In Memory of George of Dalmatia
• Object II
• Man and Woman
• Bull's Head

• Metallurgical Combine of the Sisak Iron and Steel Works

• Unknown

Krnjaić, Vlado, ed. 1979. IX kolonija lik. umjetnika: izložba radova nastalih u IX Koloniji lik. umjetnika. Sisak: OSIZ u oblasti kulture 'Željezara Sisak'. Courtesy of Vlatko Čakširan (Sisak Municipal Museum).

Comment: Black-and-white photographs of Petar Barišić's Man and Woman, Josip Diminić's Object II (during fabrication), and Jure Žaja's Bull's Head. Short biographies of the three artists, and the list of artworks they produced in the Sisak Steelworks Artists Colony.

Chronology of the realization of the sculpture Man and Woman by Petar Barišić, and artist's views on its conservation-restoration

• Man and Woman

• Sagita Mirjam Sunara

• Pro Torpedo Rijeka

Sunara, Sagita Mirjam. 2016. "Konzervatorske dvojbe na primjeru skulpture Petra Barišića Muškarac i žena." In 6th International Conference on Industrial Heritage Thematically Related to The Man and the Industry : Historical Experience of the Man in the Industry : Rijeka, 24th – 25th April 2015 : Conference Proceedings, edited by Julija Lozzi-Barković, 677−688. Rijeka: Pro Torpedo. 

Sisak Steelworks Sculpture Park: Description of the samples of corrosion products and paint collected in 2019

• Seagull's Wing
• The Work Process
• Sculpture V
• Object I
• Form
• Our Life
• In Memory of George of Dalmatia
• Riderless
• Dark Visions I
• Relief in Space
• Dark Visions II
• Antipodes
• Title unknown
• Puzzle Column
• Man and Woman
• Rhythms II
• Random Form With a Thesis
• Prayer Book
• Wall
• City '85
• Door
• Form I
• Orator
• High Voltage
• Zgurić and Family
• Composition I, Composition II
• Butterfly
• Imaginary Machine
• Man-Machine
• Bull's Head
• Flower
• Bird
• Incandescent Planet
• Ornament
• Wayside Monument

• Neven Peko
• Sagita Mirjam Sunara

• University of Split, The Arts Academy
• Sisak Municipal Museum

Peko, Neven; Sunara, Sagita Mirjam. July 2019. "Sisak Steelworks Sculpture Park, Croatia: Description of the samples delivered to METRIS for analysis." Internal CAPuS report: unpublished. Sisak Municipal Museum, University of Split.

Catalogue of the final exhibition of the 1973 Sisak Steelworks Fine Artists Colony

• Symmetry
• Seagull's Wing
• Flower

• Metallurgical Combine of the Sisak Iron and Steel Works

• Unknown

Sešo, Branka, ed. 1973. 1973 : Kolonija likovnih umjetnika III. Sisak: Kolonija likovnih umjetnika Željezare Sisak. Courtesy of Vlatko Čakširan (Sisak Municipal Museum).

Comment: Black-and-white photographs of Vera Fischer's Symmetry (unpainted), and Milena Lah's Seagull's Wing (unpainted). Short biographies of the two artists.

Artist interview with Petar Barišić conducted in 2013

• Man and Woman

• Valentina Ljubić Tobisch
• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Barišić, Petar. (2013, September 22). Interview by Sagita Mirjam Sunara and Valentina Ljubić Tobisch [Transcript]. University of Split, The Arts Academy, Conservation-Restoration Department.

Artist interview with Ante Rašić conducted in 2013

• Orator

• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Rašić, Ante. (2013, September 21). Interview by Sagita Mirjam Sunara [Transcript]. University of Split, The Arts Academy, Conservation-Restoration Department.

Catalogue of the final exhibition of the 1984 Sisak Steelworks Fine Artists Colony

• Door
• Orator
• Ornament
• Wayside Monument

• Metallurgical Combine of the Sisak Iron and Steel Works

• Unknown

Pirc – Petrinjak, Pavica, ed. 1984. XIV Kolonija likovnih umjetnika 'Željezara Sisak' : rujan/listopad 1984. Sisak: OSIZ u oblasti kulture 'Željezara Sisak'. Courtesy of Vlatko Čakširan (Sisak Municipal Museum).

Comment: Black-and-white photographs of Branko Ružić's Door (during fabrication), Branislav Milašinović's Wayside Monument (during fabrication), Andre Mohorovičić's Ornament (during fabrication), and of Ante Rašić at work. Short biographies of the four artists, and the list of artworks they produced in the Sisak Steelworks Artists Colony.

Sisak Steelworks Sculpture Park (selected artworks): XRF, Raman and FT-IR spectroscopy of paint samples collected in 2016

• Seagull's Wing
• Sculpture V
• Puzzle Column
• Rhythms II
• Door
• Zgurić and Family
• Butterfly
• Man-Machine
• Flower
• Bird

• Vladan Desnica

• University of Split, The Arts Academy
• University of Zagreb, Academy of Fine Arts

Desnica, Vladan. 2018. "Laboratorijski izvještaj istraživanja provedenih na skulpturama u Parku skulptura, Sisak." Unpublished report. University of Zagreb, Academy of Fine Arts, Department for Conservation and Restoration of Works of Art, Scientific Laboratory.

Newspaper articles describing the rescue of the sculpture Symmetry by Vera Fischer from a recycling facility

• Symmetry

• Jutarnji list
• Večernji list

• Jutarnji list
• Večernji list

Photos (left to right):

[1] Piškor, Mate. 2008. "Spasila sam 'Simetriju' i spas građana Siska." Jutarnji list, 19 February, page unknown. Available at: https://www.jutarnji.hr/arhiva/spasila-sam-simetriju-i-cast-gradana-siska/3868230/ (Photo by Sagita Mirjam Sunara, 3 October 2012 © University of Split, The Arts Academy)

[2] Horvat, Martin. 2008. "Branka Sešo spasila je Simetriju od talionice". Večernji list, 27 May, page unknown. (Photo by Sagita Mirjam Sunara, 3 October 2012 © University of Split, The Arts Academy)

Comment: Branka Sešo, former organizer of the Sisak Steelworks Fine Artists Colony, explains how she rescued Vera Fischer's Symmetry from a recycling facility in 2006.

Artist interview with Dora Kovačević conducted in 2015

• Wall

• Tina Tomšič
• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Kovačević, Dora. (2015, December 9). Interview by Tina Tomšič and Sagita Mirjam Sunara [Transcript]. University of Split, The Arts Academy, Conservation-Restoration Department.

Catalogue of the final exhibition of the 1985 Sisak Steelworks Fine Artists Colony

• Wall
• City '85

• Metallurgical Combine of the Sisak Iron and Steel Works

• Unknown

Pirc – Petrinjak, Pavica, ed. 1985. XV Kolonija likovnih umjetnika 'Željezara Sisak' : rujan/listopad 1985. umjetnika. Sisak: OSIZ kulture Željezara Sisak – Sisak. Courtesy of Vlatko Čakširan (Sisak Municipal Museum).

Comment: Black-and-white photographs of Dora Kovačević's Wall (during fabrication), and Ante Kuduz's City '85 (during fabrication). Biographies of the two artists, and the list of artworks they produced in the Sisak Steelworks Artists Colony.

Archival photographs showing the fabrication of the sculpture Wall by Dora Kovačević, and its display at the final exhibition of the Sisak Steelworks Fine Artists Colony

• Wall

• Branimir Karanović

• Branimir Karanović

Photos (left to right):

[1] Model for the sculpture Wall by Dora Kovačević, and for the sculpture Man by Zvonimir Lončarić on top of it. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

[2] Wall by Dora Kovačević (1985), during fabrication. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

[3] Wall by Dora Kovačević (1985), during fabrication. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

[4] Wall by Dora Kovačević (1985), during fabrication. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

[5] Wall by Dora Kovačević (1985), during fabrication. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

[6] Figures III by Branimir Karanović (1985) and Wall by Dora Kovačević (1985) at the final exhibition of the 1985 colony. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

[7] Figures III by Branimir Karanović (1985) and Wall by Dora Kovačević (1985) at the final exhibition of the 1985 colony. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

Archival photographs showing the fabrication of the sculpture City '85 by Ante Kuduz

• City '85

• Branimir Karanović

• Branimir Karanović

Photos (left to right):

[1] City '85 by Ante Kuduz (1985), during fabrication. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

[2] City '85 by Ante Kuduz (1985), during fabrication. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

[3] City '85 by Ante Kuduz (1985), during fabrication. (Photo by Branimir Karanović, 1985. Courtesy of Branimir Karanović.)

Catalogue of the final exhibition of the 1978 Sisak Steelworks Fine Artists Colony

• Rhythms II
• Random Form With a Thesis
• Zgurić and Family

• Metallurgical Combine of the Sisak Iron and Steel Works

• Unknown

Krnjaić, Vlado, ed. 1978. 1978 : Kolonija likovnih umjetnika. Sisak: SOUR MK 'Željezara Sisak' Sisak. Courtesy of Vlatko Čakširan (Sisak Municipal Museum).

Comment: Black-and-white photographs of Dubravka (Duba) Sambolec's Rhythms II (finished sculpture), and Zlatko Zlatić's Zgurić and Family (finished sculpture installed at the Zagreb Fair). Short biographies of the two artists, and a list of artworks they produced in the colony.

Catalogue of the exhibition dedicated to the door motif in Branko Ružić's oeuvre

• Door

• Sagita Mirjam Sunara

• Slavonski Brod Art Gallery

Sunara, Sagita Mirjam ed. 2019. Vrata, varijacije: izložba u povodu stogodišnjice rođenja Branka Ružića (1919. – 2019.) : Door, Variations: An exhibition to mark the centenary of the birth of Branko Ružić (1919 – 2019). Slavonski Brod: Slavonski Brod Art Gallery.

Comment: The exhibition received financial support from the CAPuS project. Sagita Mirjam Sunara (University of Split, The Arts Academy) and Romana Tekić (Slavonski Brod Art Gallery) authored the exhibition, and wrote texts for the catalogue. The exhibition was held in Slavonski Brod (The Vladimir Becić Art Salon, September 12 – October 9, 2019) and Sisak (Sisak Municipal Musem, October 15 – November 7, 2019). 

Chronology of the realization of the sculpture Door by Branko Ružić, and a discussion on its presentation/display

• Door

• Sagita Mirjam Sunara
• Romana Tekić

• Museums of Hrvatsko zagorje – Antun Augustinčić Gallery

Sunara, Sagita Mirjam, and Romana Tekić. 2019. "Problematika prezentacije Ružićevih Vrata iz Parka skulptura Željezare Sisak." Anali Galerije Antuna Augustinčića 38–39 [Simpozij Skulptura u muzeju : zbornik radova]: 413–434.

Archival photographs showing the fabrication of the sculpture Rhythms II by Dubravka (Duba) Sambolec

• Rhythms II

• Miroslav Zdovc
• Mihajlo Gajdek
• Viktor Flojhar

• Unknown

Photos (left to right):

[1] Rhythms II by Dubravka (Duba) Sambolec (1978), clay model. (Photo by Miroslav Zdovc, 1978. Courtesy of Dubravka Sambolec.)

[2] Rhythms II by Dubravka (Duba) Sambolec (1978), during fabrication. (Photo by Viktor Flojhar[?], 1978. Courtesy of Dubravka Sambolec.)

[3] Rhythms II by Dubravka (Duba) Sambolec (1978), finished sculpture. (Photo by Mihajlo Gajdek, 1978. Courtesy of Dubravka Sambolec.)

[4] Rhythms II by Dubravka (Duba) Sambolec (1978), (temporary?) installation view. (Photo by Mihajlo Gajdek, 1978. Courtesy of Dubravka Sambolec.)

Photo-documentation of the conservation-restoration treatment carried out in 2018/2019 on the sculpture Flower (1973) by Vera Fischer

• Flower

• Tina Tomšič
• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Photos (left to right):

[1] Flower by Vera Fischer (1973), pre-treatment condition. (Photo by Sagita Mirjam Sunara, 11 September 2017 © University of Split, The Arts Academy)

[2] Flower by Vera Fischer (1973), dismantling and moving of the sculpture to the conservation-restoration workshop of the company Ferrum in Zagreb. (Photo by Sagita Mirjam Sunara, 26 September 2018 © University of Split, The Arts Academy)

[3] Flower by Vera Fischer (1973), testing of the paint removal using carbon dioxide (CO2) blasting. (Photo by Tina Tomšič, 16 October 2018 © University of Split, The Arts Academy)

[4] Flower by Vera Fischer (1973), metal surface damaged by unauthorized paint removal with a rotary drill. (Photo by Sagita Mirjam Sunara, 17 October 2018 © University of Split, The Arts Academy)

[5] Flower by Vera Fischer (1973), paint removal using carbon dioxide (CO2) blasting. (Photo by Tina Tomšič, 17 October 2018 © University of Split, The Arts Academy)

[6] Flower by Vera Fischer (1973), total after the paint removal and flattening out of the deformed metal strips. (Photo by Tina Tomšič, 12 November 2018 © University of Split, The Arts Academy)

[7] Flower by Vera Fischer (1973), detail showing a fractured metal strip after welding. (Photo by Tina Tomšič, 12 November 2018 © University of Split, The Arts Academy)

[8] Flower by Vera Fischer (1973), application of the base coat. (Photo by Tina Tomšič, 12 November 2018 © University of Split, The Arts Academy)

[9] Flower by Vera Fischer (1973), application of the top coat. (Photo by Tina Tomšič, 15 November 2018 © University of Split, The Arts Academy)

[10] Flower by Vera Fischer (1973), re-installation in the Sisak Steelworks Sculpture Park. (Photo by Tina Tomšič, 23 April 2019 © University of Split, The Arts Academy)

Micro-Raman and FT-IR spectroscopy of paint samples collected in 2017 from the sculpture Flower (1973) by Vera Fischer

• Flower

• Dubravka Jembrih-Simbürger
• Sagita Mirjam Sunara

• University of Split, The Arts Academy
• Institute of Science and Technology in Art, Vienna

[1] Sunara, Sagita Mirjam. 2017. "Paint samples taken from the sculpture Flower by Vera Fischer from the Sisak Steelworks Sculpture Park, Croatia : Uzorci uzeti sa skulpture Vere Fischer Cvijet iz Parka skulptura Željezare Sisak u Sisku." Unpublished document. University of Split, The Arts Academy, Conservation-Restoration Department.

[2] Jembrih-Simbürger, Dubravka. 2017. "Micro-Raman and FTIR investigations on 5 paint samples taken from the outdoor sculpture Cvijet (Flower, 1980, Vera Fischer)." Unpublished report. Academy of Fine Arts Vienna, Institute of Science and Technology in Art.

Cross-sections of paint samples collected in 2019 from the sculpture Object I by Josip Diminić

• Object I

• Tea Zubin Ferri

• Research Center for Metal Industry in Istria County METRIS

Photos (left to right):

[1] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-1, magnification x100. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[2] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-1, magnification x200. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[3] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-2, magnification x50. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[4] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-2, magnification x200. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[5] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-2, magnification x500. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[6] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-2, magnification x500. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[7] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-3, magnification x100. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[8] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-3, magnification x500. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[9] Object I by Josip Diminić (1979), the cross-section of the paint sample 5-3, magnification x1000. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

Cross-sections of paint samples collected in 2019 from the sculpture Seagull's Wing by Milena Lah

• Seagull's Wing

• Tea Zubin Ferri

• Research Center for Metal Industry in Istria County METRIS

Photos (left to right):

[1] Seagull's Wing by Milena Lah (1973), cross-section of the paint sample 2-1, magnification x200. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[2] Seagull's Wing by Milena Lah (1973), cross-section of the paint sample 2-1, magnification x500. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

[3] Seagull's Wing by Milena Lah (1973), cross-section of the paint sample 2-1, magnification x1000. (Photo by Tea Zubin Ferri, 17 July 2019 © Research Center for Metal Industry in Istria County METRIS)

Vera Fischer's paint choice for the repainting of her sculpture Symmetry in 2008

• Symmetry

• Vera Fischer

• Unknown

Fischer, Vera. 2008. "Suglasnost za bojenje skulpture Simetrija." Unpublished document. Courtesy of Ivana Miletić Čakširan (Ministry of Culture of the Republic of Croatia, Monuments Care Office in Sisak).

Optical microscopy, micro FT-IR spectroscopy, and SEM/EDS analysis of metal, corrosion products, and coating samples collected in 2019 from the sculpture Seagull's Wing (1973) by Milena Lah

• Seagull's Wing

• Tea Zubin Ferri

• Research Center for Metal Industry in Istria County METRIS

Zubin Ferri, Tea. 2019. "Optical microscopy, micro FT-IR spectroscopy, and SEM/EDS analysis of metal, corrosion products, and coating samples from the sculpture Seagull's Wing (1973) by Milena Lah." Internal CAPuS report: unpublished. Research Center for Metal Industry in Istria County METRIS.

Comment: Stratigraphic analysis was performed on one sample. Coating characterization was performed by combined micro FT-IR, OM, and SEM/EDS techniques. Corrosion products were analyzed by using SEM/EDS.

Optical microscopy, micro FT-IR spectroscopy, FT-IR spectroscopy, and SEM/EDS analysis of corrosion products, and coating samples collected in 2019 from the sculpture Object I (1979) by Josip Diminić

• Object I

• Tea Zubin Ferri

• Research Center for Metal Industry in Istria County METRIS

Zubin Ferri, Tea. 2019. "Optical microscopy, micro FT-IR spectroscopy, FT-IR spectroscopy, and SEM/EDS analysis of corrosion products and coating samples from the sculpture Object I (1979) by Josip Diminić." Internal CAPuS report: unpublished. Research Center for Metal Industry in Istria County METRIS.

Comment: Stratigraphic analysis was performed on three samples. Coating characterization was performed by combined micro FT-IR, OM, and SEM/EDS techniques. Corrosion products were analyzed by using SEM/EDS and FT-IR.

OBJ14 Sampling Sheet

• Untitled_Turin14

Summary of analytical results OBJ 14

• Untitled_Turin14

ATR-FTIR and py/GC/MS analysis for identification of pigments/dyes and binders of microsamples collected from Mural OBJ 14.

Interview with Peri Helio, author of Génesis & Gnosis mural painting (2015) in front of his artwork in Vigo

• Génesis y Gnosis

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

In this interview, Peri Helio talks about how he became an urban artist, the relationship between his studies (mathematics) with the iconography of his artworks, the materials he usually uses and, for this particular artwork, its meaning. He also talks about whether or not this type of art is suitable to be protected or conserved. University of Vigo (2020).

Interview with Pelucas, author of an untitled mural painting in Vigo (2015)

• Untitled-Pelucas

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

In this interview, Pelucas talks about the challenge of painting this ladder because the high humidity of the structure; also, he talks about the materials used to paint. He also expresses his opinion towards the conservation of urban art in a way that reflects his particular personality. University of Vigo (2020).

Entaraña mural painting by Liqen (2008) - Support characterization (XRD and SEM-EDS)

• Entaraña

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analytical characterization of supports (concrete) of Entaraña mural painting by Liqen in Vigo (2008). XRD and SEM-EDS data are presented. University of Vigo (2020).

Entaraña mural painting by Liqen (2008) - Deterioration forms characterization (XRD, FTIR, SEM-Optic Microscopy)

• Entaraña

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analytical characterization of deterioration forms of Entaraña mural painting by Liqen in Vigo (2008). XRD, FTIR and SEM-Optic Microscopy data are presented. University of Vigo (2020).

Escarabajo Pelotero mural painting by Novel Noel (2012) - Paints and Support characterization (XRD, FTIR and SEM-EDS)

• Escarabajo Pelotero

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analitycal characterization of paints and support (reinforced concrete) of Escarabajo Pelotero mural painting by Nove Noel in Ordes (2012). XRD, FTIR and SEM-EDS data are presented. University of Vigo (2020).

Escarabajo Pelotero mural painting by Nove Noel (2012) - Deterioration forms report

• Escarabajo Pelotero

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with a condicition report about the deterioration forms observed in Escarabajo Pelotero mural painting by Nove Noel in Ordes (2012). University of Vigo (2020).

Pecado Original mural painting by Sokram (2012) - Paints and Supports characterization (XRD and SEM-EDS)

• Pecado Original

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analytical characterization of paints and supports of Pecado Original mural painting by Sokram in Ordes (2012). XRD and SEM-EDS data are presented. University of Vigo.

Pecado Original mural painting by Sokram (2012) - Deterioration forms characterization (XRD, SEM-Optic Microscopy and Soluble Salts Extraction)

• Pecado Original

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analytical characterization of deterioration forms of Pecado Original mural painting by Sokram in Ordes (2012). University of Vigo (2020).

Minero Asturiano de Padre Gallego mural painting by Spok (2015) - Paints and Support characterization (XRD, FTIR and SEM-EDS)

• Minero Asturiano de Padre Gallego

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analytical characterization of paints and supports of Minero Asturiano de Padre Gallego mural painting by Spok in Ordes (2015). XRD, FTIR and SEM-EDS data are presented. University of Vigo (2020).

Minero Asturiano de Padre Gallego mural painting by Spok (2015) - Deterioration forms characterization (Optic Microscopy)

• Minero Asturiano de Padre Gallego

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analytical characterization of deterioration forms of Minero Asturiano de Padre Gallego mural painting by Spok in Ordes (2015). Optic Microscopy data is presented. University of Vigo (2020).

Tempo mural painting by Lidia Cao (2018) - Colour Durability Monitoring

• Tempo

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the colour monitoring using colour spectrophotometry of Tempo mural painting by Lidia Cao in Ordes (2018). University of Vigo (2020).

Xestando mural painting by Lidia Cao (2018) - Colour Durability Monitoring

• Xestando

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the colour monitoring using colour spectrophotometry of Xestando mural painting by Lidia Cao in Ordes (2018). University of Vigo (2020).

Artemisa Vulgaris mural painting by Doa Oa (2018) - Colour Durability Monitoring

• Artemisa Vulgaris

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the colour monitoring using colour spectrophotometry of Artemisa Vulgaris mural painting by Doa Oa in Carballo (2018). University of Vigo (2020).

A Orixe 2 mural painting by Mou (2018) - Colour Durability Monitoring

• A Orixe 2

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the colour monitoring using colour spectrophotometry of A Orixe 2 mural painting by Mou in Carballo (2018). University of Vigo (2020).

O Lobo mural painting by Delio (2009) - Materials and Deterioration forms characterization (XRD, FTIR and SEM-EDS)

• O Lobo

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analytical characterization of materials (paints and supports) and deterioration forms of O lobo mural painting by Delio in Pontevedra (2009). University of Vigo (2020).

A Guarda Escrita Nas Estrelas mural painting by Nuvi&Éxfico (2018) - Substrate, Paints and Protector products report

• A Guarda Escrita Nas Estrelas

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with a condition report about the substrate, paints and protector products applied in A Guarda Escrita Nas Estrelas mural painting by Nuvi&Éxfico in A Guarda (2018). University of Vigo (2020).

A Guarda Escrita Nas Estrelas mural painting by Nuvi&Éxfico (2018) - Colour Durability Monitoring and Protectors Testing

• A Guarda Escrita Nas Estrelas

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the colour monitoring and protector testing using colour sprectrophotometry of A Guarda Escrita Nas Estrelas mural painting by Nuvi&Éxfico (2018). University of Vigo (2020).

Maintenance of the sculptures from the Sisak Steelworks Sculpture Park in 2013

• Symmetry
• Seagull's Wing
• The Work Process
• Sculpture V
• Object I
• Form
• Our Life
• In Memory of George of Dalmatia
• Riderless
• Object II
• Dark Visions I
• Relief in Space
• Flower
• Dark Visions II
• Antipodes
• Title unknown
• Puzzle Column
• Man and Woman
• Rhythms II
• Random Form With a Thesis
• Prayer Book
• Wall
• City '85
• Door
• Form I
• Orator
• High Voltage
• Zgurić and Family
• Composition I, Composition II
• Butterfly
• Imaginary Machine
• Man-Machine
• Bull's Head
• Flower
• Bird
• Incandescent Planet
• Ornament
• Wayside Monument

• Sagita Mirjam Sunara
• Valentina Ljubić Tobisch

• University of Split, The Arts Academy

Ljubić Tobisch, Valentina; Sunara, Sagita Mirjam. 2013. "Izvješće o provođenju mjera preventivne zaštite na javnim skulpturama nastalim u sklopu Kolonije likovnih umjetnika Željezare Sisak." Unpublished report. University of Split, The Arts Academy, Conservation-Restoration Department.

Line drawings in CAD of the Branko Ružić sculpture Wall: front view of the eight relief panels

• Door

• Even d.o.o.

• University of Split, The Arts Academy

Sučić Marić, Ankica. 2018. Line drawings in CAD of the Branko Ružić sculpture Wall (front view of the eight relief panels). Unpublished. Even d.o.o.

Implementing preventive conservation measures on the sculpture Composition I and II by Boško Atanacković in 2013

• Composition I, Composition II

• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Photos (left to right):

[1] Composition I and II by Boško Atanacković (1982), before removal of earth, leaves and moss from the concrete plinths, and basic landscaping. (Photo by Sagita Mirjam Sunara, 23 September 2013 © University of Split, The Arts Academy)

[2] Composition I and II by Boško Atanacković (1982), mowing of the grass and reducing of the level of earth around the concrete plinths. (Photo by Sagita Mirjam Sunara, 23 September 2013 © University of Split, The Arts Academy)

[3] Composition I and II by Boško Atanacković (1982), washing of the sculpture and of the concrete plinths. (Photo by Sagita Mirjam Sunara, 23 September 2013 © University of Split, The Arts Academy)

[4] Composition I and II by Boško Atanacković (1982), plaque with the name of the artist and his assistants. (Photo by Sagita Mirjam Sunara, 23 September 2013 © University of Split, The Arts Academy)

[5] Composition I and II by Boško Atanacković (1982), after conducting preventive conservation measures. (Photo by Sagita Mirjam Sunara, 23 September 2013 © University of Split, The Arts Academy)

Short biography of Branko Ružić (encyclopaedia entry)

• Door

• The Miroslav Krleža Institute of Lexicography

• The Miroslav Krleža Institute of Lexicography

"Ružić, Branko." In Hrvatska enciklopedija, mrežno izdanje. Retrieved from https://www.enciklopedija.hr/natuknica.aspx?id=53824.

Entaraña mural painting by Liqen (2008) - Paints characterization (XRD, FTIR and SEM-EDS)

• Entaraña

• Teresa Rivas
• José Santiago Pozo Antonio
• Enrique Alonso

• University of Vigo

PDF with main results of the analytical characterization of paints of Entaraña mural painting by Liqen in Vigo (2008). XRD, FTIR and SEM-EDS data are presented. University of Vigo (2020).

Sampling form of "Colletta Swimming Pool" mural painting by Variuos Artists in Turin (2011)

• Colletta Swimming Pool_Turin01

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ1 - Colletta Swimming Pool (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points.  

Sampling form of "We Love Enak" mural painting by Various Artists in Turin (2011)

• We Love Enak_Turin02

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ2 - We Love Enak (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points.  

Sampling form of "Memorial Thyssen tragedy victims" mural painting by Various Artists in Turin (2008)

• Memorial Thyssen tragedy victims_Turin03

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ3 - Memorial Thyssen tragedy victims (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points.  

Sampling form of OBJ4 - "Untitled" mural painting by Truly Design in Turin (2010)

• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ4 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points.  

Sampling form of OBJ6 "Bosco" mural painting by Elisabetta Viarengo Miniotti in Turin (1995)

• Bosco_Turin06

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ6 - Bosco (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points. 

Sampling form of "Dive in me " mural painting by Millo in Turin (2014)

• Dive in me_Turin07

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ7 - Dive in me (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points.  

Sampling form of OBJ8 "Guardare Oltre" mural painting by Spider and Vito Navolio in Turin (2015)

• Guardare oltre_Turin08

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ8 - Guardare oltre (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points. 

Sampling form of OBJ9 "Untitled" gate by Halo Halo in Turin (2010)

• Untitled_Turin09

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ9 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points. 

Sampling form of "Wanda" mural painting by Gianni Gianasso in Turin (2000)

• Wanda_Turin10

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ10 - Wanda (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points. 

Sampling form of bench "Panchine d'autore - Pollock" by Vito Navolio in Turin (2010)

• Panchine d'autore_Turin11

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ11 - Panchine d'autore_Pollock (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points. 

Sampling form of bench "Panchine d'autore - Lichtenstein" by Vito Navolio in Turin (2010)

• Panchine d'autore_Turin11

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ11 - Panchine d'autore_Lichtenstein (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points. 

Sampling form of bench "Panchine d'autore - Dalì " by Vito Navolio in Turin (2010)

• Panchine d'autore_Turin11

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ11 - Panchine d'autore_Dalì (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points. 

Sampling form of OBJ11 "Panchine d'autore - Klee" bench by Vito Navolio in Turin (2010)

• Panchine d'autore_Turin11

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ11 - Panchine d'autore_Klee (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points. 

Sampling form of OBJ13 - "Untitled" mural painting by Rojo Roma in Turin (2013)

• Untitled_Turin13

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ13 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points.  

Sampling form of OBJ14 - "Untitled" mural painting by various artists in Turin (2010)

• Untitled_Turin14

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Scarcella A., Cardinali M., Croveri P., Ricci C. June 2019. "Sampling form of the artwork OBJ14 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Comment: report on the sampling procedure and description of the collected samples, with location and detailed pictures of the sampling points.  

Condition report of "We Love Enak" mural painting by Variuos Artists in Turin (2011)

• We Love Enak_Turin02

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ2 - We Love Enak (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of "Colletta Swimming Pool" mural painting by Variuos Artists in Turin (2011)

• Colletta Swimming Pool_Turin01

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ1 - Colletta Swimming Pool (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of the Memorial Thyssen tragedy victims mural painting by Variuos Artists in Turin (2008)

• Memorial Thyssen tragedy victims_Turin03

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ3 - Memorial Thyssen tragedy victims (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ4 - "Untitled" mural painting by Truly Design in Turin (2010)

• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ4 - Untitled (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ6 - "Bosco" mural painting by Elisabetta Viarengo Miniotti in Turin (1995)

• Bosco_Turin06

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ6 - Bosco (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of "Dive in me" mural painting by Millo in Turin (2014)

• Dive in me_Turin07

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ7 - Dive in me (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ8 "Guardare oltre" mural painting by Spider & Navolio in Turin (2015)

• Guardare oltre_Turin08

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ8 - Guardare oltre (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ9 "Untitled" (gate) by Halo Halo in Turin (2010)

• Untitled_Turin09

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ9 - Untitled (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ10 "Wanda" (panel) by Gianni Gianasso in Turin (2000)

• Wanda_Turin10

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ10 - Wanda (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ11 "Panchine d'autore" (benches) by Vito Navolio in Turin (2010)

• Panchine d'autore_Turin11

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ11 - Panchine d'Autore (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ12 - "Untitled" bench by Pao in Turin (2013)

• Untitled_Turin12

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ12 - Untitled (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ13 "Untitled" mural painting by by Rojo Roma in Turin (2012)

• Untitled_Turin13

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ13 - Untitled (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Condition report of OBJ14 "Untitled" mural painting by various artists in Turin (2010)

• Untitled_Turin14

• Conservation and Restoration Centre "La Venaria Reale"

• Conservation and Restoration Centre "La Venaria Reale"

Scarcella A., Cardinali M., Croveri P., Ricci C. March 2019. "Condition report of the artwork OBJ14 - Untitled (Turin)". Internal CAPuS report: unpublished. Conservation and Restoration Centre "La Venaria Reale".

Comment: condition report which includes general data, location, execution technique and degradation processes observed.

Analytical results _ OBJ1- Colletta Swimming Pool

• Colletta Swimming Pool_Turin01

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ1 - Colletta Swimming Pool (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results _ OBJ2 - We Love Enak

• We Love Enak_Turin02

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ2 - We Love Enak (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results _ OBJ3 - Memorial Thyssen tragedy victims

• Memorial Thyssen tragedy victims_Turin03

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ3 - Memorial Thyssen tragedy victims (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results _ OBJ4 - Untitled

• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ4 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results _ OBJ6 - Bosco

• Bosco_Turin06

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ6 - Bosco (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results _ OBJ7- Dive in me

• Dive in me_Turin07

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ7 - Dive in me (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results - OBJ8_Guardare Oltre

• Guardare oltre_Turin08

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ8 - Guardare Oltre (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale". 

Analytical results - OBJ9_Untitled

• Untitled_Turin09

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ9 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results - OBJ10_Wanda

• Wanda_Turin10

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ10 - Wanda (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale". 

Analytical results - OBJ11_Panchine d'artista

• Panchine d'autore_Turin11

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ11 - Panchine d'artista (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale". 

Analytical results - OBJ12_Untitled

• Untitled_Turin12

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ12 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results - OBJ13_Untitled

• Untitled_Turin13

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ13 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Analytical results - OBJ14_Untitled

• Untitled_Turin14

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Bertasa M., Poli T., Riedo C., Scalarone D., Croveri P., Ricci C. September 2020. "Results from the analyses performed on samples collected from the artwork OBJ14 - Untitled (Turin)". Internal CAPuS report: unpublished. University of Turin & Conservation and Restoration Centre "La Venaria Reale".

Interview - Memorial Thyssen tragedy victims

• Memorial Thyssen tragedy victims_Turin03

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from a video interview to the artists Ruben Marchisio (Monkeys Evolution), Fijodor Benzo (Il Cerchio e le Gocce), Simone Giuoco, Davide Andreazza. Context, design and realisation of the mural in memory of the Thyssen tragedy victims. Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 06:56.

Interview - Spray cans in street art

• Memorial Thyssen tragedy victims_Turin03
• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from two video interviews to the artists Ruben Marchisio (Monkeys Evolution), Fijodor Benzo (Il Cerchio e le Gocce), Simone Giuoco, Davide Andreazza and Emanuele "Rems 182" Ronco (Truly Design). Focus about the use of spray cans in street art. Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 02:58.

Interview - Street art materials

• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from a video interview to the artist Emanuele "Rems 182" Ronco (Truly Design). Focus about the street art materials over time. Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 05:16.

Interview - The preparation of the wall

• Memorial Thyssen tragedy victims_Turin03
• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from two video interviews to the artists Ruben Marchisio (Monkeys Evolution), Fijodor Benzo (Il Cerchio e le Gocce), Simone Giuoco, Davide Andreazza and Emanuele "Rems 182" Ronco (Truly Design). Focus about the preparation of the wall prior to the mural realisation. Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 05:51.

Interview - Protective coatings

• Memorial Thyssen tragedy victims_Turin03
• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from two video interviews to the artists Ruben Marchisio (Monkeys Evolution), Fijodor Benzo (Il Cerchio e le Gocce), Simone Giuoco, Davide Andreazza and Emanuele "Rems 182" Ronco (Truly Design). Focus about the use of protective coatings. Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 01:56.

Interview - The issue of durability

• Memorial Thyssen tragedy victims_Turin03
• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from two video interviews to the artists Ruben Marchisio (Monkeys Evolution), Fijodor Benzo (Il Cerchio e le Gocce), Simone Giuoco, Davide Andreazza and Emanuele "Rems 182" Ronco (Truly Design). Focus about the issue of durability within street art. Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 03:50.

Interview - Sketches

• Memorial Thyssen tragedy victims_Turin03
• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from two video interviews to the artists Ruben Marchisio (Monkeys Evolution), Fijodor Benzo (Il Cerchio e le Gocce), Simone Giuoco, Davide Andreazza and Emanuele "Rems 182" Ronco (Truly Design). Focus about the use of sketches for design of murals. Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 02:31.

Interview - Legality / Illegality pt.1

• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from a video interview to the artist Emanuele "Rems 182" Ronco (Truly Design). Some aspects related to legality and illegality within street art (Part 1). Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 07:25.

Interview - Legality / Illegality pt.2

• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from a video interview to the artist Emanuele "Rems 182" Ronco (Truly Design). Some aspects related to legality and illegality within street art (Part 2). Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 06:14.

Interview - Street art as ephemeral art

• Memorial Thyssen tragedy victims_Turin03
• Untitled_Turin04

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

• Conservation and Restoration Centre "La Venaria Reale"
• University of Turin

Excerpt from two video interviews to the artists Ruben Marchisio (Monkeys Evolution), Fijodor Benzo (Il Cerchio e le Gocce), Simone Giuoco, Davide Andreazza and Emanuele "Rems 182" Ronco (Truly Design). Focus about street art as ephemeral art. Interview released within the CAPuS Project. Conservation and Restoration Centre "La Venaria Reale" & University of Turin. October 2018. Duration 03:05.

Views of the sculpture Uralte Form by Lajos Barta in Hiroshima Nagasaki park

• Uralte Form

• Katrin Breßer

• Cologne Institute of Conservation Sciences

Uralte Form by Lajos Barta (1985), total. (Photo by Katrin Breßer, 11 December 2019 © Cologne Institute of
Conservation Sciences)

Excerpt from Gola Hundun's interview: surface choice and phases of artwork creation (audio)

• La Grande Madre (The Big Mother)
• Two dragons carry a new creature

• Ilaria Saccani

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Excerpt from Gola Hundun's interview:  surface choice and phases of artwork creation. Audio file (.mp3, 2'43'')

GOLA HUNDUN's Interview- excerpts transcription

• La Grande Madre (The Big Mother)
• Two dragons carry a new creature

• Ilaria Saccani

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Transcription of Gola Hundun's interview excerpts 

A picture of Gola Hundun's interview (2018)

• La Grande Madre (The Big Mother)
• Two dragons carry a new creature

• Ilaria Saccani

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Ilaria Saccani (CESMAR7) interviewing Gola Hundun  (2018)

Excerpt from Gola Hundun's interview: artworks duration

• La Grande Madre (The Big Mother)
• Two dragons carry a new creature

• Ilaria Saccani

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Audio excerpt from Gola Hundun's interview on artworks duration and idea of conservation (.mp3, 2'19'')

condition report-uralte form

• Uralte Form

• Cologne Institute of Conservation Sciences

• Cologne Institute of Conservation Sciences

Analytical research of The Big Mother_OBJ2 by Gola Hindun, Reggio Emilia (2010)

• La Grande Madre (The Big Mother)

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro
• AN.T.A.RES srl UNIPERSONALE

Analytical mesurement with Raman spectroscopy made by UNIPR (Danilo Bersani, Department of Physics)

Analytical research of Oriental Carpet_OBJ 4 by H101, Reggio Emilia (2010)

• Oriental Carpet

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro
• AN.T.A.RES srl UNIPERSONALE

Analytical characterization of samples from H101 Oriental Carpet by microRaman, FTIR, py-GC/MS, stratigraphy

Analytical research of Big Sacral Bird_OBJ3 by Kenor, Reggio Emilia (2010)

• Big Sacral Bird

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro
• AN.T.A.RES srl UNIPERSONALE

Analytical research of samples from KENOR Big Sacral Bird by FTIR, microRaman spectrocopy on corss section, Raman spectroscopy in situ, Py-GC/MS

Analytical research of NIGUARDA ANTIFASCISTA _OBJ12 by VolksWriterz, Milan (2014)

• Niguarda antifascista (Antifascist Niguarda)

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro
• AN.T.A.RES srl UNIPERSONALE

Analytical research of Niguarda Antifascista Murals by VolksWriterz by microRaman on cross section, raman spectroscopy in situ, FTIR and Py-GC/MS

Analytical research TRIBUTE TO KAHLED_OBJ 13 bu Ivan, Nais, Orticanoodle and Pao, Fabbrica del Vapore, Milan (2016)

• Tribute to Kahled al Asaad

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro
• AN.T.A.RES srl UNIPERSONALE

Analytical research of TRIBUTE TO KAHLED AL ASAAD (Fabbrica del Vapore, Milan) by stereomicroscopy

Analytical research Two Dragons_OBJ 8 by Gola Hundun, Pigal Community Centrem Reggio EMilia (2012)

• Two dragons carry a new creature

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro
• AN.T.A.RES srl UNIPERSONALE

Analytical research of Two Dragons carry a new creature by Gola Hundun (ARCI PIGAL, 2012) by FTIR, Micro Raman Spectroscopy, Raman in situ, Py-GC/MS, optical microscopy and stereomicroscopy

Analytical research of Tribute to Mandela_OBJ 13 by Ivan, Nais, Orticanoodle and Pao, Milan (2014)

• Tribute to Mandela

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro
• AN.T.A.RES srl UNIPERSONALE

Analytical research of Tribute to Mandela (Fabbrica del Vapore, Milan, 2014) by stereomicroscopy, micro Raman spectroscopy, FTIR-ATR and Py-GC/MS

Analytical research of ECONOMY SUBDUES YOU by Zosen_OBJ5 (2010), Reggio Emilia

• Economy subdues you

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro
• AN.T.A.RES srl UNIPERSONALE

Analytical reserach of Economy subdues you (Zosen, 2010) by microRaman Spectroscopy on cross sectio, Raman spectroscopy in situ, FTIR-ATR, Py-GC/MS ans stereomicroscopy on micro sample

Condition report of Oriental Carpet by H101 in Reggio Emilia (2010)

• Oriental Carpet

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of BIG SACRAL BIRD by Kenor, Reggio Emilia (2010)

• Big Sacral Bird

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of THE BIG MOTHER by Gola Hundun, Reggio Emilia (2010)

• La Grande Madre (The Big Mother)

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of ECONOMY SUBDUES YOU by Zosen, Reggio Emilia (2010)

• Economy subdues you

• Ilaria Saccani

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of MANDALA by Projecto Ritual, Reggio Emilia (2010)

• Mandala

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of TWO DRAGONS by Gola Hundun, Pigal Community Centre, Reggio Emilia (2012)

• Two dragons carry a new creature

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of UBUNTU, by Ivan Pontevia and Daniele Castagnetti, Reggio Emilia (2018)

• Ubuntu

• Ilaria Saccani
• Michela Berzioli

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of TRIBUTE TO MANDELA, by Ivan, Nais, Orticanoodles and Pao, Fabbrica del Vapore, Milan (2014)

• Tribute to Mandela

• Ilaria Saccani

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of TRIBUTE TO KAHLED by Ivan, Nais, Orticanoodles and Pao, Fabbrica del Vapore, Milan (2016)

• Tribute to Kahled al Asaad

• Ilaria Saccani

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Condition report of NIGUARDA ANTIFASCISTA by Volks Writerz, Milan (2014)

• Niguarda antifascista (Antifascist Niguarda)

• Ilaria Saccani

• CESMAR7- Centro per lo Studio dei Materiali per il Restauro

Niguarda Antifascista by VolksWriterz (2014), condition report 

Photo-documentation of the maintenance procedures carried out in 2019 on the sculpture Object II (1979) by Josip Diminić

• Object II

• Sagita Mirjam Sunara
• Neven Peko

• University of Split, The Arts Academy
• Sisak Municipal Museum

Photos (left to right):

[1] Object II by Josip Diminić (1979), pre-treatment condition. (Photo by Sagita Mirjam Sunara, 20 June 2019 © University of Split, The Arts Academy)

[2] Object II by Josip Diminić (1979), wet cleaning. (Photo by Neven Peko, 21 June 2019 © Sisak Municipal Museum)

[3] Object II by Josip Diminić (1979), wet cleaning. (Photo by Neven Peko, 21 June 2019 © Sisak Municipal Museum)

[4] Object II by Josip Diminić (1979), post-treatment condition. (Photo by Sagita Mirjam Sunara, 22 June 2019 © University of Split, The Arts Academy)

[5] Object II by Josip Diminić (1979), bottom plate after cleaning. (Photo by Sagita Mirjam Sunara, 22 June 2019 © University of Split, The Arts Academy)

[6] Object II by Josip Diminić (1979), detail of the corrosion on the bottom plate. (Photo by Sagita Mirjam Sunara, 22 June 2019 © University of Split, The Arts Academy)

Micro-Raman and FTIR analysis of paint samples collected in 2019 from the sculpture Door by Branko Ružić

• Door

• Dubravka Jembrih-Simbürger

• Institute of Science and Technology in Art, Vienna
• Sisak Municipal Museum

Jembrih-Simbürger, Dubravka. 2019. "Micro-Raman and FTIR investigations on paint samples from the outdoor sculpture Vrata, 1984 by Branko Ruzic." Unpublished report. Academy of Fine Arts Vienna, Institute of Science and Technology in Art.

Investigation of the localised deterioration of the red coating on the Josip Diminić sculpture Object II by FTIR spectroscopy in 2019

• Object II

• Dominique Scalarone

• University of Turin

Scalarone, Dominique. 2019. "Object II (1979) by Josip Diminić: FTIR analysis report." Unpublished report. University of Turin.

Comment: As a part of the 2014 conservation-restoration treatment, a thin layer of a two-component polyester putty was applied locally between the primer (a two-component polyamide cured epoxy primer) and the top coat (a two-component polyurethane top coat). After a few years, a whitish degradation product appeared in these areas, but only on the part of the sculpture that is painted red and is facing south. The FTIR analysis performed by the University of Turin concerns the identification of the whitish layer. (Comment by Sagita Mirjam Sunara)

Condition report and treatment proposal for the sculpture Flower by Vera Fischer, from 2018

• Flower

• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Sunara, Sagita Mirjam. 2018. "Konzervatorsko-restauratorski elaborat za skulpturu Cvijet autorice Vere Fischer iz Parka skulptura nastalih u okviru Kolonije likovnih umjetnika Željezara Sisak." Unpublished report. University of Split, The Arts Academy, Conservation-Restoration Department.

Comment: The art-historical note is followed by a description of the materials and techniques used in the fabrication of the sculpture, and by a description of its as-found condition. The treatment proposal was written by Jelena Tomasović Grbić (Kvinar d.o.o.). Cost estimate is considered confidential information, and has been removed from the file. Appendices have also been omitted. 

Condition reporting form for the sculpture Relief in Space by Dušan Subotić, from 2016

• Relief in Space

• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Sunara, Sagita Mirjam. 2016. "Dokumentacijski obrazac za skulpturu Dušana Subotića Reljef u prostoru (1981.) iz Parka skulptura Željezare Sisak." Unpublished report. University of Split, The Arts Academy, Conservation-Restoration Department.

Comment: The artwork is partially preserved. The condition reporting form includes general information about the artwork (i.e. about the sculpture's base), information about the technique of its making and the degradation processes observed. Three conservation-restoration students participated in data collection: Nikolina Drlje, Mateo Curić and Jelena Hudinčec (listed in alphabetical order by surname). The information about the materials and techniques used in the fabrication of the Dušan Subotić sculpture were collected from the welder Abaz Begić, a former employee of the Sisak Steelworks who participated in the fabrication of several sculptures from the Sisak Steelworks Sculpture Park.

Condition report for the sculpture Relief in Space by Dušan Subotić, from 2019

• Relief in Space

• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Sunara, Sagita Mirjam. 2019. "Condition report for the sculpture Relief in Space by Dušan Subotić (1981) from the Sisak Steelworks Sculpture Park." Unpublished report. University of Split, The Arts Academy, Conservation-Restoration Department.

Archival photograph showing the sculpture Relief in Space by Dušan Subotić during fabrication

• Relief in Space

• Sagita Mirjam Sunara

• University of Split, The Arts Academy

Relief in Space by Dušan Subotić (1981), during fabrication. (Photo by Sagita Mirjam Sunara, 2 September 2014 © University of Split, The Arts Academy)

Comment: Author of the archival photograph is unknown. The archival photograph belongs to the machinist Stanko Rožanković, a former employee of the Sisak Steelworks who participated in the fabrication of several sculptures from the Sisak Steelworks Sculpture Park. Dušan Subotić is second from the left, and Stanko Rožanković is third from the left.

An old newspaper article mentioning Dušan Subotić's and Milivoje Babović's work in the Sisak Steelworks Artists Colony

• Sculpture V
• Relief in Space

• Vjesnik Željezare

• Vjesnik Željezare

P., P. 1981. "Novi doživljaji u crnometalurškom poslu." Vjesnik Željezare, 10 July, p. 10. (Newspaper courtesy of Đuro Tadić. Digitized by the University of Split Library.)

Comment: The article contains an image of Dušan Subotić and a steelworker during the fabrication of the sculpture Relief in Space. Another image shows Milivoje Babović with the sculpture Composition, which has not been preserved.

An old newspaper article mentioning Dušan Subotić's and Milivoje Babović's participation in the final exhibition of the 1981 Sisak Steelworks Artists Colony

• Sculpture V
• Relief in Space

• Vjesnik Željezare

• Vjesnik Željezare

Anonymous. 1981. "Izložba Kolonije." Vjesnik Željezare, 25 December, p. 20. (Newspaper courtesy of Đuro Tadić. Digitized by the University of Split Library.)

Comment: The article contains the names of the participants of the 1981 Sisak Steelworks Artist Colony.

An old newspaper article mentioning Dušan Subotić's and Milivoje Babović's participation in the final exhibition of the 1981 Sisak Steelworks Artists Colony

• Sculpture V
• Relief in Space

• Vjesnik Željezare

• Vjesnik Željezare

M., Z. 1982. "Potrebno unošenje promjena." Vjesnik Željezare, 15 January, p. 9. (Newspaper courtesy of Đuro Tadić. Digitized by the University of Split Library.)

Comment: The article contains the names of the participants of the 1981 Sisak Steelworks Artist Colony, and information about the number of artworks they produced. Dušan Subotić's lost sculpture Composition can be seen in two images taken at the exhibition.

Photo-documentation of the maintenance procedures carried out in 2013 on the sculpture Relief in Space by Dušan Subotić

• Relief in Space

• Sagita Mirjam Sunara